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  Traffic

rating: (out of 4 stars)

United States; 2000
Directed by Steven Soderbergh; produced by Laura Bickford, Marshall Herskovitz, Edward Zwick; screenplay by Stephen Gaghan
Starring Benicio Del Toro, Michael Douglas, Don Cheadle, Luis Guzmán, Catherine Zeta-Jones, Miguel Ferrer, Erika Christensen, Topher Grace, James Brolin, Albert Finney, Dennis Quaid, Benjamin Brett, Salma Hayek



Below you will find a temporary review for this film. The real (better, more complete) review will be online very soon.

The best film from 2000 is 'Traffic'. It is one of those films that seem to have no flaw. In its story the only flaw I was able to discover is that sometimes coincidence is used to create a dramatic sequence with a certain suspense. On the other hand, coincidence is also part of our lives. 'Traffic' plays in the world of drugs, or actually in three worlds of drugs. We have the dealing world where drugs are transported from Mexico to the United States, we have the using world where young teenagers use drugs because it is easier to find than alcohol, and we have the protecting world where high officials do everything in their power to stop the dealing and using world.

Steven Soderbergh gives us these three worlds and looks at it, not giving a solution, but showing us that a problem like this is hard to handle. When a major dealer is arrested, his wife (Catherine Zeta-Jones) takes over. When a high judge (Michael Douglas) is appointed to deal with the drugs issue, his own daughter (Erika Christensen) becomes an addict. We also have a Mexican police officer (Benicio Del Toro) who is asked by the US to help them, but has problems with his corrupt boss (Tomas Milian), and we follow two DEA Agents (Don Cheadle and Luis Guzmán) who caught a key witness in the trial against the major dealer I mentioned earlier.

Soderbergh gives such a terrific insight without confused story lines. We always know who we are watching, even though there are many main characters. To makes things a little easier he uses his cinematography to distinguish his worlds from each other. The Mexican storyline is shown in yellow colors, the world around the judge and his daughter is in blue, and the world of the DEA Agents and their key witness is seen in normal colors. Even the camera shows us that it does not really want to make a point, only to observe. In an audience the camera seems to be one of the audience members, always hand-held, a little moving, like it is just watching the action.

Soderbergh's direction and own cinematography are terrific, combined with the terrific performances you have something close to a masterpiece. Benicio Del Toro and Don Cheadle amazed me the most, Zeta-Jones has a great scenes when she visits her husband in jail and some dealers in Mexico, Douglas is solid as always. 'Traffic' seems to know that a real solution to the drugs problem is far from reality, showing why is a great achievement.

   
  Review by Reinier Verhoef