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  L'avventura

rating: (out of 4 stars)

Italy, France; 1960
Directed by Michelangelo Antonioni; produced by Cino Del Luca, Raymond Hakim, Robert Hakim, Amato Pennasilico, Luciano Pergugia; written by Michelangelo Antonioni, Elio Bartolini, Tonino Guerra
Starring Gabriele Ferzetti, Monica Vitti, Lea Massari, Dominique Blanchar, Renzo Ricci, James Addams



Below you will find a temporary review for this film. The real (better, more complete) review will be online very soon.

A couple of bored rich friends are having a cruise on a yacht. They rest near an island, swim to it, walk around on it. We learn to know Sandro (Gabriele Ferzetti), his lover Anna (Lea MAssari), her best friend Claudia (Monica Vitti) and some others. Sandro and Anna have a little argument and right after that she disappears.

We here a boat, but never see one. We think we see something in the distance, but it seems the film only wants to think us that. While the characters search the island, that exists out of rocks and grass, we hear Giovanni Fusco's haunting score for the first time in the film. It makes the images even more haunting. Then something strange happens. While they wait for others to help, Sandro kisses Anna's best friend. We have no idea what they are both thinking.

The story continues with the search for Anna, or so it seems. The story is really about the affair Sandro and Claudia are having. It is intriguing to see since the scenes before this have shown we can never be quite sure what they think. Do they like or even love each other? It seems they are just rich people trying to kill their lonely time. With each other and with searching for a third person.

The film keeps us interested right until the end, although the final part plays too long. We are never sure what will happen next and we are never sure what the film is really about, not until it is over. Too bad the ending can be dull for some, the haunting vision on rich people's boredom gives us a terrific movie from great director Michelangelo Antonioni.

   
  Review by Reinier Verhoef